This treatise deals with the ethical problems focusing on love motif appeared in east asian classic novels. The process of love is the process consists of falling in partner’s virtue and beauty, but at the same time, it is the process that receive and embarrass partner’s deficiency and ugliness. Love as the positive emotion changes human’s behaviors and at last reaches the phase that the partner’s deficiency could be transformed into the sources of love. The phase that we could love someone because of his/her basic deficiency is the charity phase in the Buddhism. In term of the viewpoint, we could inspect how was realized the charity in the east asian novels through researching how it deals with the ghost woman symbolizing the deficiency of culture. In the case of Jundeungshinhwa剪燈新話, most of the novels describe interesting content or radical excess of subjection. It means that the novels deals with the ghost woman without ethical consideration or regulate only as ethical evil. In the contrary Gumhoshinhwa金鰲新話 describes the ethical resolution or enjoyment toward the other beautifully by showing the knowing of unknowing in which the male characters knows his partner is ghost, nevertheless efforts to ignore the fact.