Choi Jeong-hee is a representative Korean female artist who worked from the colonial period to the modern era after liberation. In 1938, the artist projected his experiences in “The Silence story” and solved the life of a woman bound by the patriarchy through the hardships of self-study. This paper would like to pay attention to the fact that the Japanese version of text was republished in “Culture Chosun” three years and four months after “Silence story” was published in “Samcheonri Literature” in 1938. The Japanese version generally has a strong impression of the translation because the basic narrative is not very different from the original Korean version, except for the ending part, and many sentences in the text have been changed from Korean to Japanese as they are. Therefore, prior studies dealing with Japanese texts are very rare compared to Korean versions. However, considering the connection between the nature of the published magazine and the characteristics of the times at the time of the presentation, it may contain internal logic at the boundary of transitioning from female literature to pro-Japanese works. Therefore, in this paper, the two copies were compared and analyzed together to review the existing criticism and research flow and go one step further to examine the internalization process of an all-out war system that was not surfaced.